To close out its Mario Day announcements video, where we learned about a new movie set in the world of Super Mario Bros, as well as the release dates of Paper Mario: The Thousand-Year Door and Luigi’s Mansion 2 HD, Nintendo revealed that three classic
Coming off last year’s overwhelming success of The Super Mario Bros. Movie, Nintendo and Illumination have announced that work has begun on a second movie set in the world of Super Mario Bros. The announcement, made by Nintendo’s Shigeru Miyamoto and Illumination CEO Chris Meledandri, states
The beloved GameCube RPG, Paper Mario: The Thousand-Year Door, finally has a release date for Switch. Announced during September 2023’s Nintendo Direct, Paper Mario: The Thousand-Year Door is regarded by many as the pinnacle of Mario’s RPG outings, and since today is Mario Day, Nintendo
Hamaguchi Ryusuke’s “Evil Does Not Exist,” was Sunday evening named as the best picture at the Asian Film Awards. The 17th edition of the prizes was held at the Xiqu Centre, part of the West Kowloon Cultural District in Hong Kong. While “Evil Does Not
Film’s biggest night is (almost) here. The 96th Academy Awards will take place on Sunday, March 10 at a new time, 7 p.m. ET / 4 p.m. PT, from the Dolby Theater. Jimmy Kimmel is returning to host the ceremony, which will broadcast live on
“Babes,” a new comedy about the highs and lows of pregnancy and early motherhood, received a boisterous welcome at its SXSW premiere on Saturday. The audience frequently broke into sustained waves of laughter watching BFFs Eden (Ilana Glazer, who also co-wrote and produced) and Dawn
How distraught is Annette, the severely troubled British mother of two played by Daisy Ridley in “Magpie?” She has gotten a short angular haircut, one that might, in another context, be the height of chic (very Isabella Rossellini). Except that the movie uses it as
A narrative trifurcated across decades and generations, Fawzia Mizra’s “The Queen of My Dreams” follows a young Pakistani Canadian coming to terms with her upbringing. It hits all the familiar beats of a first-generation South Asian story and, despite its novel queer bent and tongue-in-cheek