Thomas Hutteau is a french filmmaker currently based out of Manhattan, New York. Though he’s faced many challenges, he has managed to build a name for himself as a Cinematographer, or what some would refer to as the director of photography, and a Steadicam operator. He has worked on many projects, including commercials, music videos, short films, and feature films. His first feature film was screened at the Saint Andre des Arts in Paris in 2019. 

Thomas Hutteau attended ESRA, an International Film School in France, where he majored in photography. His decision to go to film school was one that would shape his entire life and career. Having no prior connections to this industry, he knew he needed to attend this school as it was the best way to learn about film. “I knew this path would lead to hands-on training and internships,” he shares. “I needed to learn about the intricacies of film.”

Tchao Pantin, Primer, The Prestige, and A New Hope are just a few of the films that have inspired Thomas throughout the years. Along with film and photography, he continues to be inspired by the people he meets on set. “Every day is different, he explains. “The set, the people, and the content that’s being created is all new.” Thomas’ day consists of reading screenplays and determining how he can best make a director’s dream become a reality. “I spend a lot of time thinking about lighting, angles, framing, and how I can shape the mood of the film or content,” he explains. “I also spend a great deal of time in post-production editing the film.”

Because Thomas works closely with many different directors, he has to be very creative in dealing with characters and the structure of the story, collaborating to create a particular visual approach. “I often do my own research about locations, lighting, and prospective film sites,” he explains. “I then have to think about the equipment that is needed for those takes.” The Cinematographer then visits locations and takes test shots to decide on the details that will satisfy the director while giving his professional input as to angles, film stock, framing, equipment, lighting, and techniques used to create the desired atmosphere of the film.

There seems to be a lot of creative control. “Yes, there are times when I need to approve everything from costumes to make-up and hair, as well as the palette used on the set,” Thomas explains. “Some directors have everything figured out, while some require more input, it just depends on the director.” He continues, “I’ve even been invited to some casting rehearsals.” Most of the time, there are others in the production crew to talk shop with, though.

Talking shop is how Thomas continues to learn and make connections in the industry. “Not just make connections, though,” he shares. “I’ve formed lifelong relationships with people on set.” He continues, “It seems like every job I get, I form a new friendship, which I am very grateful for.” They say that this industry is all about who you know. “Yes, that’s true, but working closely with other people in a creative capacity just facilitates these kinds of relationships, he explains. “People in the crew and onset usually share the same dreams and aspirations as you, so it’s very easy to connect on that level.”

“My ultimate goal is to purely work on film sets,” Thomas shares. “My love for film is what brought me to this industry.” That’s not to say he doesn’t enjoy shooting commercials or music videos. “Music videos are really fun,” he emphasizes. “I love being in the presence of an artist or musical genius and helping them achieve a certain style.” Thomas sees his future as a Cinematographer flourishing as he helps other creatives bring their vision to life.