Irish singer-songwriter Sinéad O’Connor died of natural causes, the Southwark Coroners Court in London has determined. “This is to confirm that Ms O’Connor died of natural causes,” the coroner’s office said in a statement to Variety. “The coroner has therefore ceased their involvement in her
Sam Worthington told People magazine at the premiere of his Netflix heist thriller “Lift” that the cast of James Cameron’s “Avatar” films are gearing up to return to production in February. The director is currently deep into post-production on “Avatar 3,” which Disney has given
Is that photo or article someone posted on the internet claiming it came from Fox News actually from Fox News — or is it bogus? Fox Corp. has created a technical protocol called Verify, designed with two objectives: to let media companies register content and
Picture Tree International has boarded international sales and debuted the trailer for Miia Tervo’s upcoming comedy “The Missile,” set to world premiere at Göteborg’s just-announced Nordic Competition. Produced by Finland’s Kaisla Viitala at Elokuvayhtio Komeetta and Estonia’s Daniel Kuitunen at Stellar Film, the movie will
George Orwell’s dystopian masterpiece “1984” is getting a new audio-only treatment from Audible. The Audible original audio drama, set to premiere April 4, stars Andrew Garfield (“Tick, Tick…Boom,” “The Amazing Spider-Man”) as Winston alongside Cynthia Erivo (“Wicked,” “Harriet”) as Julia. They are joined by Tom
FOMO is such a strong human emotion that it defies logic, especially when looking at photos or video from Studio 54 or a Beatles concert or Truman Capote’s Black-and-White Ball… or, as “Indie/Seen,” veteran photographer Piper Ferguson’s new photo book demonstrates, the indie-rock scene of
AARP The Magazine has announced the nominees for the annual Movies for Grownups (MFG) Awards. “Barbie,” “The Color Purple,” “Killers of the Flower Moon,” “Maestro” and “Oppenheimer” will contend for best picture/best movie for grownups. AARP offers a description of MFG’s goal: “For more than
Willem Dafoe recently told The Guardian that “more difficult movies, more challenging movies” usually fail to perform well on streaming platforms because most subscribers just want to go home and “watch something stupid.” That’s a problem for someone like Dafoe, whose movies are often dense