Anna Wintour, Condé Nast’s longtime fashion doyenne, is famous for a singular style trademark — her sunglasses. Indeed, Wintour didn’t take off her sunglasses the entire time she met with employees of Pitchfork this week to tell them they were losing their jobs after Condé Nast had
Writer-director Jane Schoenbrun’s new film, “I Saw the TV Glow,” is set for a buzzy Sundance premiere, shrouded in secrecy, and could be A24’s biggest horror release of 2024. Yet the heart of the film is delicate and intimate, centered around what the trans community
Netflix has acquired “Ibelin,” a documentary that premiered at the Sundance Film Festival. Benjamin Ree (“The Painter and the Thief”) directed the film, which centers on a Norwegian gamer named Mats Steen, who died of a degenerative muscle disease at the age of 25. According
EDGLRD, a multimedia design collective, has announced its experimental tour for Harmony Korine’s latest film “Aggro Dr1ft.” The tour’s first stop is at the strip club Crazy Girls in Los Angeles on Feb. 7, with an additional date the next day. “Aggro Dr1ft” debuted at
Christa Robinson and Lance Frank will take on expanded roles for CBS’ division built around CBS News, local stations and syndicated programming, all put under the aegis of executive Wendy McMahon in August of last year. Frank, who has been with CBS News since 2011,
Jodie Foster said at the Variety Studio presented by Audible while at the Sundance Film Festival that the $1.4 billion success of “Barbie” helps prove that Hollywood no longer views women directors as too much of a risk. That wasn’t always the case, as Foster
Mark Ronson will be honored with the Music for Life award and sit for an interview to open the National Association of Music Merchants show in Anaheim, Calif., next week, the organization has announced. The not-for-profit music trade organization will hold its annual gathering from
Created by Joe Murtagh, a BAFTA Award nominee for the 2019 film “Calm With Horses,” Showtime’s “The Woman in the Wall” opens in the dreary fictional town of Kilkinure, Ireland, in 2015. As Clare Harner’s infamous poem “Immortality” echoes in the background, a woman dressed