Farcical and viscerally upsetting in equal measure, P.S. Vinothraj’s “The Adamant Girl” masterfully exposes the nature of superstition by zeroing in on gendered expectations. A story of a betrothed woman being shepherded by her fiancé’s family between sites of religious ritual, the rural Tamil-language drama plays like an extension of “Pebbles,” Vinothraj’s remarkable 2021 debut […]