A loose adaptation of absurdist playwright Eugène Ionesco’s “Rhinoceros,” director Amos Gitai’s “Shikun” unfolds in a multi-use housing project, where it follows the stream-of-consciousness travails of a diverse cross-section of characters in Be’er-Sheva, Israel. Bound by the French-language narration of Irène Jacob — a one-woman Greek chorus and de-facto liaison between sides of the fourth […]