‘Omni Loop’ Review: Mary-Louise Parker Gets Time to Shine in Bernardo Britto’s Melancholy Metaphysical Dramedy
One of the distinguishing features that has propelled Mary-Louise Parker’s rise through the ranks of stage actors has been a searching quality she brings to plays such as “Proof” and “How I Learned to Drive,” as if there are other worlds beyond where she is immediately stationed and places her characters can’t reach no matter […]