“The Boy and the Heron,” the Oscar-winning animated feature film by iconic Japanese director Miyazaki Hayao, is finally to be given a release in cinemas in mainland China. The picture is scheduled to release in China on April 3, 2024, according to Alibaba Pictures. Tickets
Spinning audiences back to the mid-1970s, UFA Fiction’s latest period series “Disko 76” is set in a pivotal time in the industrial heartland of West Germany as a new American pop music craze takes over the airwaves and dance floors. The six-part series, which
“Catch Me a Killer” comprises many firsts: It is a series about South Africa’s first-ever criminal profiler, the first-ever woman to occupy such a position and, now, the first-ever series entirely shot in South Africa to be in International Panorama competition at Series Mania, Europe’s
IATSE resumed negotiations with the major studios on Monday, with a day spent focused on items relevant to the International Cinematographers Guild, Local 600. IATSE began talks earlier this month, as it seeks to address artificial intelligence, see wage increases to make up for inflation,
Top Bollywood star Ajay Devgn’s Indian visual effects studio NY VFXWaala has set a strategic partnership with Sweden’s Goodbye Kansas Studio. NY VFXWaala has secured a major stake in Goodbye Kansas, through an offshore subsidiary, while simultaneously launching a joint venture studio in India. “Shaitaan,”
For decades, there have been studies and conversations regarding the perils of obesity, and though being overweight doesn’t inherently make someone unhealthy, it can cause severe medical issues. While those who struggle with excess weight are often told to eat fewer calories and exercise daily,
When Michelle Yeoh was in Hollywood for the Oscars earlier this month, the history-making Academy Award-winning actress chose a similarly storied property for her stay. Yeoh and her team spent the week at the Mandarin Oriental Residences Beverly Hills, an A-list sanctuary that has quietly
At various points in “An Enemy of the People,” the Jeremy Strong-led production of Henrik Ibsen’s classic, the greatest entertainment comes from watching the faces opposite you. That’s not a critique of director Sam Gold’s work. It’s hard to think of a show that could