SPOILER ALERT: Do not read ahead if you have not watched Season 11, Episode 2 of “The Masked Singer,” “The Wizard of Oz Night,” which aired March 13 on Fox. Chrisley didn’t know best, at least on “The Masked Singer.” As her “Chrisley Knows Best”
Confirming Germany’s importance as a growth market, Netfix on Wednesday announced 17 new and returning shows and movies produced by some of the country’s leading producers, including docuseries “Kaulitz & Kaulitz,” about the Tokio Hotel popstar siblings, and sci-fi drama “Cassandra,” about an overzealous electronic
Sydney Sweeney just premiered her latest movie, “Immaculate,” at SXSW, and it marks her third high profile release in four months. She conquered the box office opposite Glen Powell in the hit romantic comedy “Anyone But You” (which has earned more than $200 million worldwide),
Conan Gray and Thuy are the newest artists to join Weverse, the global superfan platform under Hybe. Joining Weverse, Gray and Thuy will be able to directly engage with their fans online by offering a range of exclusive experiences. Conan Gray’s official artist community on
Within 24 hours of this year’s Academy Awards, total views on Variety social video covering the show hit 138 million, becoming the biggest day of Oscars social traffic in publication history. The previous record was held by coverage of the 2023 Oscars, which generated over
Laughter strikes from all sides in “The Gutter,” the kind of brash and boisterous broad comedy that has largely been missing from multiplexes in recent years. Directors Yassir and Isaiah Lester seem to share a special ability with their main character Walt (Shameik Moore), who
Paramount Global has sold its 13% ownership stake in TV and streaming company Viacom18 to Reliance Industries for $517 million. Reliance was already the majority owner of Viacom18. The pact comes two weeks after Disney and Reliance Industries announced a blockbuster $8.5 billion deal merging their
Ever since resurrecting the erotic thriller with the respectably lurid 2021 drama “The Voyeurs,” it was clear Sydney Sweeney and director Michael Mohan were interested in second comings. So it was only a matter of time before they’d turn their attention to Christ himself in