As a child of the 1980s, I thought I knew pretty much everything I needed to know about Wham!, just as I thought I had a pretty good handle on the behind the scenes of the late-night all-star recording of “We Are the World.” But
Sony Pictures Television is closing TriStar TV, the studio behind Apple TV+’s “The Afterparty” and AMC’s “Lucky Hank.” As Sony shutters the division and folds the studio into the larger TV org, executive vice president Jennifer Turner and senior vice president of development Nicole Norwood are
Laura Karpman brought choral sounds into Season 2 of “What If…?” while Natalie Holt re-established the “Loki” theme for the series’ second season. The Newton Brothers entered the Marvel universe by scoring “X-Men ’97,” and Kris Bowers dives into “Secret Invasion.” These are among the
In this digital-dominated era, the allure of physical media like DVDs and Blu-rays remains robust, transcending mere nostalgia. These formats offer a tangible, personal connection to the artistry of film and television—a curated collection that one can physically handle, showcase, and possess. As the industry
By the end of every performance, “The Outsiders” cast is caked in grime and dust. That’s a consequence of the Broadway musical’s sandy stage, which finds the actors who bring the the gritty coming-of-age story to life each night, fighting, dancing and falling in love
Fox is developing the one-hour drama “The Miracle Department,” Variety has learned exclusively. The official logline states, “Based on a real Catholic organization, ‘The Miracle Department’ is a heartfelt, comedic, hour-long series about a brilliant, but disgraced, former FBI agent who joins forces with a
A civil lawsuit accusing WWE founder Vince McMahon of sexual assault and sex trafficking has been put on hold pending the ongoing investigation being conducted by the Justice Department, according to the lawyer representing the former WWE employee who sued McMahon. McMahon in January 2024 resigned
“Apples Never Fall” costume designer Allyson B. Fanger said with her job on the Peacock drama is completely based in story, propelling narrative through costuming. “I love, love working with families because you need to find the common thread of the family and keep it