Maya Hawke is fine with being called a “nepo baby.” Hawke, the daughter of Uma Thurman and Ethan Hawke, recently admitted to the Times of London that she believes her family ties influenced her casting in Quentin Tarantino’s “Once Upon a Time in Hollywood” as
Could “Suits” be a movie? It’s not out of the question, said star Patrick J. Adams during Sunday’s reunion panel at the ATX TV Festival. Following a retrospective panel with Adams, Sarah Rafferty, Dulé Hill, Amanda Schull, Abigail Spencer and executive Jeff Wachtel, a fan
Summer movie season is off to a slow start, as Memorial Day weekend hit a three-decade low at the box office. But at least there are some good movies coming to streaming services this month, including Netflix’s “Hit Man,” starring Glen Powell as an undercover
Next week, on June 7, the entertaining and highly acclaimed geek-goes-undercover-as-contract-killer screwball romantic thriller “Hit Man,” starring It Dude of the moment Glen Powell, drops on Netflix. But this weekend, in case you hadn’t noticed, the movie opened “in theaters.” How many theaters? If you
Don’t call it a rewatch. The upcoming “Suits” podcast will be titled “Sidebar: A Suits Watch Podcast,” Variety can exclusively announce — not a “rewatch” podcast. The SiriusXM podcast will be hosted by actors Patrick J. Adams and Sarah Rafferty, who portrayed Mike Ross and
Donald Trump gained millions of followers on TikTok in the hours after launching an account on the short-form video app — which, when he occupied the White House, he had threatened with a nationwide ban unless Chinese internet giant ByteDance sold control of TikTok to
Diarra Kilpatrick knows two things intimately: Black women and the city of Detroit. Unsurprisingly, the writer-actor’s stellar freshman dramedy, BET+’s “Diarra From Detroit,” which follows a recently separated school teacher entangled in a decades-long mystery, pays homage to this group of women and her hometown.
Music for drama can take on various styles and colors, as demonstrated by three of this year’s most talked-about miniseries. Jeff Russo spent two and a half years thinking about, and composing, the score for “Ripley,” Steven Zaillian’s eight-part thriller about a sociopath (Andrew Scott)