There are the classics — and then there’s “Chinatown.” First released on June 20, 1974, the seminal noir feature was a resounding success at its time: a big hit for producer and Paramount heavy Robert Evans, a renowned return to Hollywood for director Roman Polanski
Critics called the premise “ludicrous,” “idiotic” and “ill-conceived.” With that start, the team of us that launched “Suits” on USA Network never expected the show to become a global phenomenon. When the series debuted on June 23, 2011, we were nervous about its prospects. A
Bona Film Group, one of China’s leading movie studios, is poised to release Jackie Chan-starring “A Legend” on July 12. The film leads off the firm’s summer distribution slate. “A Legend” is pitched as a $50 million sequel to the 2005 action romance “The Myth”
Form and content align in the uniquely conceived and delightfully offbeat supernatural adventure “Ghost Cat Anzu.” For a movie about a reality where mortals and otherworldly spirits coexist on the same plane, the filmmakers decided to compound the flesh-and-bone realism of live action cinema and
“Bridgerton” had a predictably massive week on Luminate’s weekly viewership rankings, landing as the No. 1 streaming original for June 14-20. In the first full week of availability of Season 3’s last four episodes, the season was watched for 3.1 billion minutes. The earlier seasons
In his new album “Éxodo,” Peso Pluma reflects on his life before and after skyrocketing to fame. The young Mexican-American Grammy winner is boastful about leading música Mexicana‘s inflated global reach, but he also grapples with that responsibility, unleashing darker subject material ( “I live
“Actors on Actors” Season 20 was the most-watched Emmys lineup in Variety history, garnering 97 million video views across social media and outpacing 2023’s record-breaking TV season. Occurring twice a year during Emmys and Oscars voting, Variety’s “Actors on Actors” spotlights the biggest and
Following the franchise-topping $426 million success of “Bad Boys for Life” was going to be a tough task for any director. Fortunately, “Bad Boys: Ride or Die” has two — the Belgian directing duo Adil El Arbi and Bilall Fallah, collectively billed as Adil &