Several alternate realities, none of them remotely acquainted with ours, exist side-by-side in “Sew Torn,” a high-concept crime farce that pits guns against haberdashery, innocence against culpability, and genre grit against fruit-loop fantasy. Even as it nakedly steals its structural conceit from Tom Tykwer’s Nineties trendsetter “Run Lola Run” — a film made before 24-year-old […]