The “For All Mankind” spinoff “Star City” has made three new additions to its main cast, Variety has learned. Adam Nagaitis (“The Terror,” “Chernobyl,” “The Responder”), Josef Davies (“Andor,” “The Hunt for Raoul Moat,” “Young Wallander”), and Ruby Ashbourne Serkis (“I, Jack Wright,” “Shardlake,” “Becoming
Nicole Kidman and Keith Urban’s Los Angeles home was broken into and ransacked on Valentine’s Day, police confirmed to KTLA. The LAPD responded to a break-in at the A-list couple’s home on Feb. 14 at around 8 p.m. local time. As reported by KTLA: “A
Norwegian director Dag Johan Haugerud has completed his trilogy with “Dreams (Sex Love),” presented in Berlinale’s main competition. Its previous parts, “Sex” and “Love,” were shown at Berlinale’s Panorama and in Venice. M-Appeal handles sales. “It’s very, very good that it’s over. It has been
Octavia Spencer channeled her Oscar-winning role from “The Help” to send a blunt message to Elon Musk’s Department of Government Efficiency (DOGE). In the words of Minny Jackson: Eat my shit. “Bake sale for Washington to ALL DOGE employees and supporters,” Spencer wrote while sharing
South Korean director Park Ri-woong’s “The Land of Morning Calm” won the top prize, the Golden Cyclo, at the Vesoul International Film Festival of Asian Cinema. The jury, headed by Chinese auteur Jia Zhang-ke, said: “”Watching this film is like taking a dive into the sea.
Chef Pati Jinich will host a new PBS docuseries highlighting some of the foods, culture and history that make up “Panamericana,” with the first season focusing on areas of Alaska and Canada. The series, called “Pati Jinich Explores Panamericana,” runs from April 29 to May
Volkswagen auto brand Cupra, an official partner of the Berlinale and subsidiary of Spanish automaker Seat, is teaming up with the festival and Studio Babelsberg on its new edition of The Dream Makers: Short Film Contest. Launched in 2023, the competition invited aspiring film directors
Television shows depicting law enforcement officers navigating their professional and personal lives typically take themselves quite seriously, such as “Law & Order: Special Victims Unit” and “Chicago P.D.” But series like “Reno 911!,” “Brooklyn Nine-Nine,” and now, The CW/Roku Channel’s “Good Cop/Bad Cop” have injected