“Dog Man” enjoyed a barking good start at the domestic box office, collecting a leading $36 million from 3,885 North American cinemas in its first weekend of release. Universal and DreamWorks Animation’s animated canine-crime-fighting film, set in the “Captain Underpants” universe, opened at the higher end
Danish director Mads Hedegaard had to invent new languages for the Stone Age epic “Stranger.” “I have a background in documentaries [‘Cannon Arm and the Arcade Quest’], so it had to feel real to the audience. I was like: ‘We’re not going to buy it
Those who have been patiently awaiting news of a Cowboy Carter tour just got their first confirmation that Beyoncé will in fact be heading out on the road this year to support her eighth album. On Saturday night, news trickled out that the tour was
“The Brutalist’s” Lol Crawley has won the British Society of Cinematographers Award for best cinematography in a feature film award. Jody Lee Lipes won for his work on the BBC drama “The Listeners.” Lipes took home the award in the television drama (UK Terrestrial) category.
Justin Baldoni has updated his lawsuit against Blake Lively to add new claims about New York Times metadata, while also accusing her husband, Ryan Reynolds, of “bullying” him with the character of Nicepool in “Deadpool & Wolverine.” Baldoni’s lawyers filed an amended, 224-page lawsuit on
On Thursday night, Billie Joe Armstrong joined his fellow Green Day members to open FireAid, setting off the nearly six-hour benefit with a three-song tribute to those affected by the Los Angeles wildfires. It was Green Day operating like Green Day typically does these days:
Prominent Icelandic auteur Rúnar Rúnarsson who was Oscar-nominated in 2006 for his short film “The Last Farm,” was handed out the Göteborg Film Festival’s hefty SEK400,000 ($36,000) Dragon Award for Best Nordic Film for his fourth feature “When the Light Breaks” at tonight’s closing gala of
The flighty mindset of hyper-online living proves an uneasy solution to the rough gravity check of small-town poverty in “Sugar Babies,” Rachel Fleit’s documentary portrait of young, hard-up Louisiana women getting by on their wits, wiles and heavily TikTok-filtered faces. A working-class college student in