London’s The Young Vic Theatre has announced an extended run and additional cast members for Tim Crouch’s groundbreaking play “An Oak Tree,” which will now run from May 6-24, marking the production’s 20th anniversary. “Bridgerton” star Adjoa Andoh, Oscar nominee Jessie Buckley (“The Lost Daughter”),
“Falke Motors,” from “Pusher” co-scribe Jens Dahl, “Stick ‘Em Up” by the creators of Series Mania winner “Blackport” and “The Wonderful Golem,” from “The Cakemaker” director Ofir Raul Graizer, figure among a typically high-caliber, talent-studded lineup at this year’s third edition of Series Mania Seriesmakers.
Peacock’s “Long Bright River,” based on Liz Moore’s best-selling novel and adapted to television by Moore and Nikki Toscano, offers audiences a much more distinctive tale than the typical murder mystery. The limited series, which centers on Philadephia patrol cop Mickey Fitzpatrick (an outstanding Amanda
Nine years after “All These Sleepless Nights” premiered at the Sundance Film Festival to great acclaim and picked up the directing prize in the World Cinema – Documentary category, Polish director Michał Marczak is gearing up to make “Closure.” The project, selected as part of
Indian kids channel Sony Yay! is set to introduce “CID Squad,” a first-of-its-kind animated investigative thriller that reimagines India’s iconic “CID” franchise for a new generation. The project represents a strategic push to broaden animation’s appeal beyond traditional kids’ programming in what the channel describes
BookMyShow India’s Red Lorry Film Festival has landed a prestigious opening night selection with “September 5,” the Oscar-nominated drama that recreates ABC’s live coverage of the 1972 Munich Olympics terrorist attack. The announcement comes as the festival, now in its second year, expands to include
“I should have been dead at the end of that!” Those were comedian Marc Maron’s first words following the premiere of the feature documentary about him, “Are We Good?,” at the SXSW Film & TV Festival on Tuesday. The film, directed by Steven Feinartz, covers
It isn’t hyperbole to say that Amanda Peet gives the performance of a lifetime in “Fantasy Life.” There probably shouldn’t be any confusion between the actress and the role she inhabits as Dianne, a one-time screen star now in her early fifties who stopped booking