Tony Award-winning playwright Branden Jacobs-Jenkins understands the intricacies of family. In his award-winning “Appropriate,” starring Sarah Paulson, he wrote about siblings ravaged by the rage of grief. In his newest Broadway play, “Purpose,” directed by Tony Award-winning Phylicia Rashad, Jacobs-Jenkins showcases a very different family
Don Lemon says he was “harassed” by both “women and men” during his 17 years at CNN. “I have been harassed by women and men in the work[place]. And some things are not even…it’s ridiculous,” Lemon told Bill Maher during an appearance on his “Club
“The Age of Goodbyes,” a Malaysian-Taiwanese co-production directed by Edmund Yeo, has been selected for this year’s Hong Kong — Asia Film Financing Forum (HAF), the project market that runs alongside Hong Kong FilMart. The drama, adapted from Malaysian author Li Zi Shu’s acclaimed 2012
Hong Kong is better known for its hard-boiled cop pics and manly kung-fu classics than for movies tackling women’s roles in society and the wider issues around childbirth. But Hong Kong director Oliver Chan, who took her English name from the eponymous waif in Charles
Acclaimed Indian filmmaker Saurav Rai is set to present his new project “Lanka” at this year’s Hong Kong — Asia Film Financing Forum (HAF), the project market running alongside Hong Kong FilMart. The Hindi-language drama follows 12-year-old Shiv, who faces bullying due to his family’s
“Moana 2” has drawn 27.3 million views within the first five days of release on Disney+. It is now the third most successful Disney animated film to hit the platform. The film, which features Auli’i Cravalho and Dwayne Johnson stepping back into their roles as
SPOILER ALERT: This story contains spoilers for “Mickey 17,” currently playing in theaters. ‘Mickey 17’ follows a group of people on a space mission to colonize Niflheim, an ice-covered planet that’s home to a set of crawling, roly-poly type creatures that also, as one character notes,
In the shadow of “Ne Zha 2’s” blockbuster success, a quiet revolution is reshaping China’s entertainment landscape. While attention focuses on how homegrown titles increasingly outpace Western films through cultural pride and technological advancement, another formidable force drives this shift: web novels and their extraordinarily