Indie rock husband-and-wife team Jillie Simon and Thomas Simon have commenced principal photography on their debut feature “Real, True, 100 Percent Love” in Bucharest, Romania, with The Mise En Scène Company (MSC) joining as production and sales consultant. The romantic spy comedy, written by and
Tim Riedel’s upcoming psychological horror film “Ancestral Beasts” is poised to make a chilling debut at this year’s Frontières program during the Marché du Film at Cannes, and has announced a high-profile cast with one key lead yet to be decided. The film will star
Indian serial entrepreneur Vipul Agarwal is betting $3 million that the next superhero universe won’t have an American accent. In a world saturated with content, Agarwal believes the next Marvel or Harry Potter will emerge not from New York or Los Angeles, but from the
Cannes Frontières buzz title “Skin Side Up,” the directorial feature debut of “Drag Race Down Under” Season 4 winner Robert Ten Eyck, heads to the Creosote exploring a little visited sub-genre – drag queen horror – as it has pacted a key theatrical distribution deal
Norway’s recent contribution to genre movies has largely been via disaster (“La Palma,” “The Quake”), horror comedy (“The Ugly Sister”), supernatural terror (“Handling the Undead,” “The Innocents”) or fantasy thriller (“Troll”). With his feature debut “Light Years” (“Lysår”) to be pitched at Cannes’ Frontières Platform
Federation Spain has boarded psychological horror “Who Knows?” (“Qui Sap?”), to be directed by Carlo Padial. Based in Madrid and part of Federation Studios, the company’s led by Juan Solá, and has joined forces as a producer on the film – now in final development
After stepping down from the role due personal reasons in 2024, Spanish filmmaker, screenwriter and producer Rodrigo Sorogoyen has been invited back at Cannes’ Critics Week to preside over the jury of the 64th edition. Sorogoyen is best known for delivering films and series boasting
Robert Ten Eyck’s “Skin Side Up,” Sebastian McKinnon’s “The Stolen Child” and Richard Raaphorst’s “Children of the Moor” look like three potential standouts at this year’s Frontières Platform in Cannes which bids fair to prove one of the festival’s highest-caliber project showcases. Described as Drag