Sony Group is doubling down on its entertainment-first business strategy while preparing for potential headwinds from Trump administration tariffs, president and CEO Hiroki Totoki revealed during a corporate strategy presentation on Wednesday. The presentation, Totoki’s first since being elevated to the position in January, followed
Colin Petrie-Norris was a pioneer in the free, ad-supported television (FAST) space as the founder of Xumo. Now he’s hoping to stake a claim on the future of AI entertainment. Petrie-Norris’ new company is Fairground Entertainment, a studio and streaming distribution service focused exclusively on
Despite boasting a huge internal market, Brazil long seemed an island of its own when it came to fostering international collaboration. Alas, these days are long gone, with a ramping number of co-productions inching the country closer and closer to major producing potencies such as
There is momentum, and there is the current moment of Brazilian cinema. This year, Walter Salles’ “I’m Still Here” made history as the first-ever Brazilian film by a Brazilian director to win an Oscar, scoring Best International Feature and bringing the country its first best
Miramax has landed remake rights to Thailand’s breakout hit “How to Make Millions Before Grandma Dies,” the studio confirmed Wednesday, setting wheels in motion for an English-language version. The original film, directed by Pat Boonnitipat and produced by Bangkok-based powerhouse GDH 559, became a sensation
Who decides what’s best for a child? In “Adam’s Sake,” a scrawny 4-year-old boy is admitted to the pediatric ward with a broken arm, which the doctors attribute to malnutrition. A social worker is called, and Adam’s mother — who’s hardly more than a child
TelevisaUnivision’s Videocine and international sales agent FilmSharks have just dropped the spine-chilling trailer for “Don’t Leave the Kids Alone,” the highly anticipated horror/thriller from acclaimed Mexican director Emilio Portes (“Belzebuth,” “Pastorela”). Following its world premiere at the International Film Festival Rotterdam and screenings at BIFF
Young Vic’s newly-appointed artistic director and CEO Nadia Fall has announced her inaugural season, marking a fresh chapter for the London theater with a provocative lineup spanning from September 2025 through July 2026. The seven-production season features an array of timely reimaginings of classic works