SNL Film has unveiled the cast and creative team behind soccer comedy “Olde Boys.” The film is written, directed and produced by Nick Wilkinson, and with producer Lisa G. Black onboard too, and Screenbound handling worldwide sales. The film begins principal photography this September in
Guillermo del Toro is taking a more sympathetic approach to the undead creature at the heart of his version of “Frankenstein.” “Somebody asked me the other day, does it have really scary scenes?” del Toro said during a conversation at the Cannes Film Festival with
As the “Mission: Impossible” franchise comes to a close, Tom Cruise is raising the curtain on his next blockbuster projects. In a recent sit-down with the Today Show Australia, Cruise said that he and his team are “working on” potential sequels for 2022’s “Top Gun:
Former President Joe Biden was diagnosed Friday with an “aggressive form” of prostate cancer, according to a statement shared with CNN. “Last week, President Joe Biden was seen for a new finding of a prostate nodule after experiencing increasing urinary symptoms,” read the statement. “On
Leo Lewis O’Neil’s documentary “Slauson Rec” was one of the late additions to the Cannes Film Festival lineup, but it’s certainly now one of the festival’s buzziest titles following its premiere in the Cannes Classics section. The film, which received a two-minute ovation on Sunday,
Wes Anderson has delighted the Cannes Film Festival once more with his latest directorial effort “The Phoenician Scheme,” which played in competition two years after “Asteroid City” did the same at the 2023 festival. “The Phoenician Scheme” earned Anderson and his sprawling cast a 6.5-minute
Iris Knobloch, who was recently re-elected for a second mandate at the Cannes Film Festival, was awarded the Commander of the Order of Arts and Letters medal by the French culture minister, Rachida Dati, at a ceremony on Sunday. The intimate ceremony, held at the Palais
Most of us involuntarily limit our daily interaction with the world’s incessant problems, just to preserve our basic sanity. But not Adam (Patrick Hivon), the instantly lovable lead of Anne Émond’s genially (and, sometimes, tediously) absurdist Quebecois tragicomedy “Peak Everything.” It’s not that Adam is