Taskovski Films has picked up sales rights to “Redlight to Limelight,” about a high-spirited group of Indian sex workers and their families as they make a short film. The film, directed by Bipuljit Basu, has its world premiere at Sheffield DocFest in the International First
Warner Bros. Pictures is betting big on the Indian market with a new strategic partnership that will see the studio’s iconic titles get the Bollywood treatment. The studio has inked an exclusive five-film deal with Bhanushali Studios Limited (BSL) and JOAT Films to develop Indian
Bitcoin (BTC) trades around $105K, stuck in a range due to Israel-Iran conflict uncertainty. BTC options show decisive flip to puts, signaling heightened investor anxiety and downside hedging. Despite near-term jitters, Bitcoin’s current cycle gain of 656% is impressive given its larger market cap. Bitcoin
Peter Chan Ho-sun’s “She’s Got No Name,” which opened this year’s Shanghai International Film Festival, represents one of the most tortuous paths from page to screen in recent memory. In an extensive interview with Variety, Chan reveals the decade-long journey that transformed a single screenplay
Will Smith shocked fans during a recent interview with radio station Kiss Xtra (via HuffPost) by revealing he turned down the lead role of Christopher Nolan’s “Inception” because he didn’t understand the plot. Leonardo DiCaprio ended up headlining the cerebral action thriller instead. “Inception” is
Dakota Johnson has been acting for 15 years, but she revealed during an interview on Amy Poehler’s “Good Hang” podcast that just used an intimacy coordinator for the very first time on a recent movie production. Despite earning international fame with the “Fifty Shades of
Rumer Willis, the eldest daughter of Bruce Willis and Demi Moore, marked Father’s Day with an emotional post on Instagram in which she told her followers that “today is hard” as her father continues to battle frontotemporal dementia. Bruce retired from acting in 2022 amid
The 72nd Sydney Film Festival has concluded with Iranian director Jafar Panahi claiming the event’s top honor, taking home the Sydney Film Prize for “It Was Just An Accident.” The film previously won the Palme d’Or at Cannes. The Sydney win nets Panahi AUD$60,000 ($38,888)