Wim Wenders, whose immersive 3D portrait of artist Anselm Kiefer, “Anselm,” had its world premiere at the Cannes Film Festival as a Special Screening, is a passionate advocate of the 3D format, which he believes engages the human brain in ways that 2D fails to
Disney’s live-action remake of “The Little Mermaid” is beginning its box office swim with $10.3 million in previews. It opens in 4,320 theaters on Friday. Thursday’s preview haul is the seventh-highest ever for a G- or PG-rated movie. “The Little Mermaid” also picked up $850,000
Common Sense Networks, and Integral Ad Science have struck a pact to provide safe, data-driven solutions in the kids’ advertising market. Common Sense Networks, a for-profit affiliate of Common Sense Media, creates and curates safe content experiences for kids, and was behind the launch of
In “La Chimera,” the ancient past nestles mere inches below the surface of the present, eventually breaking above ground and disrupting, if not the space-time continuum, the more mundane order of things. The borders between life and death feel similarly frictious and permeable, as if
HBO’s buzzy new original series “The Idol” has been steadily building momentum on the road to its June 4 debut — including a lavish world premiere at the Cannes Film Festival, followed by one of the most talked-about afterparties on the Croisette. The show follows
Released to theaters in the theatrical dog days of mid-2020, Jonathan Milott and Cary Murnion’s “Becky” became a home-formats hit, its gleefully tasteless home-invasion thrills a guilty-pleasure tonic for COVID captives going a bit stir-crazy. Now Lulu Wilson is back as that title character, more
Justine Triet’s “Anatomy of a Fall,” one of the best reviewed films of the Cannes competition, which was bought by Neon, examines the collapse of a marriage and a mother-and-son relationship in a documentary-style courtroom drama. The chamber piece is driven by Sandra Hüller’s (“Toni
Egyptian director Omar El Zohairy, whose absurdist social satire “Feathers” won the Cannes Critics’ Week prize in 2021 and went on to make a major splash, is set to helm “Mammals,” an English-language drama that will be a reflection on Western capitalism and family ties.