U.K. media regulator Ofcom has found that five programs on the GB News channel featuring politicians as news presenters broke broadcasting due impartiality rules. The investigation, which was launched last year, concluded that two episodes of “Jacob Rees-Mogg’s State of the Nation,” hosted by the
Disney’s current strategic direction under CEO Bob Iger got the thumbs-up from independent proxy voting and corporate governance advisory firm Glass Lewis, amid a campaign launched by two activist investor groups to win seats on the Mouse House’s board. Glass Lewis, in a March 18
Markus Breitenecker, currently CEO of ProSiebenSat.1 PULS4, has been appointed to the group’s executive board, with effect from April 1. Together with CEO Bert Habets, Breitenecker will take over the management of the German giant’s entertainment segment as chief operating officer. His focus will be
“The Crown” may have ended last year, but Netflix has another royal drama in store. The streamer has released the first trailer for “Scoop,” its feature-length dramatization of Prince Andrew’s toe-curling interview with “Newsnight” anchor Emily Maitlis. Maitlis is played by Gillian Anderson in the
Minute Media, the sports media company that owns The Players’ Tribune, landed the publishing rights to Sports Illustrated — coming two months after a financial crisis at SI’s former publishing partner led to mass layoffs. ABG had previously licensed the rights to publish Sports Illustrated
After premiering at the Sundance Film Festival, Hans Block and Moritz Riesewieck’s documentary “Eternal You” is set to be theatrical released by Dogwoof in the U.K. and Farbfilm in Germany. The buzzed-about documentary explores ways that AI is being used by help people cope with
Indie streamer Mubi has acquired worldwide streaming rights to South African artist William Kentridge’s prestige series “Self-Portrait As a Coffee Pot” which explores how art is made in the digital age. The nine-episode series by Kentridge – who is celebrated around the world for his
There’s no question that South by Southwest’s music portion is going through something of an existential crisis. The long-running Austin-based conference/festival — which wrapped up Sunday after a 10-day run that encompassed not just music but film, tech, education and more — has become more