Sofia Coppola’s “Priscilla” has earned critical acclaim for artfully pulling back the curtain on the title character’s life with superstar Elvis Presley. However, it has also been met with some criticism over Elvis’ portrayal in the film, which shows the King of Rock ‘n’ Roll
The Weeknd is doing a Fortnite dance as you shred Queens of the Stone Age’s “Go With the Flow” on an Xbox controller. No, this is not a fever dream. It’s the very real Fortnite Festival, Epic’s new, free music video game built inside the
As Jeffrey Wright and Taraji P. Henson sit down to discuss their acclaimed performances — as cantankerous novelist Thelonious “Monk” Ellison in “American Fiction” and sensuous singer Shug Avery in “The Color Purple” — Wright is eager to address one topic first: their shared hometown.
Hayao Miyazaki’s “The Boy and the Heron” looks to soar atop domestic charts this weekend after earning about $5.4 million across Friday and various preview screenings. Playing in 2,205 theaters, the GKids release has the benefit of Imax and other premium large format auditoriums to
Singapore’s Robot Playground Media (RPM) and Valencia-based co-producer TV ON Producciones (TOP) have commenced production on animated feature film “The Violinist,” it was revealed at the Asia TV Forum and Market. The film was unveiled at a presentation attended by the representatives of Singapore’s Infocomm
A documentary on revered filmmaker James Ivory is part of an eclectic slate from Min(d) Studio, New York, it was revealed on the sidelines of Singapore’s Asia TV Forum and Market. The boutique studio, the brainchild of Dev Benegal (New York City), Maya Patel (London
The third edition of the Red Sea Film Festival, wrapping Saturday in Jeddah, Saudi Arabia, felt like a direct response to a burning question from executives and investors present at the festival’s market arm last year: Could Saudi Arabia step out from drama and comedy
With her debut feature “Tiger Stripes,” Malaysian writer-director Amanda Nell Eu joins an exciting group of directors who provide subversive takes on genre and body horror. Julia Ducournau and “Raw” comes to mind, as do Agnieszka Smoczynska and “The Lure” and John Fawcett and “Ginger