SPOILER ALERT: This story includes spoilers for the “Star Wars” series “Andor” and feature film “Rogue One,” both currently streaming on Disney+. From its inception, “Andor” was designed by creator Tony Gilroy (“Michael Clayton,” the “Bourne” franchise) to chronicle what leads rebel spy Cassian Andor
Sylvie Pialat (“Timbuktu”), the producer of Cannes’ opening night movie “Leave One Day” directed by Amelie Bonnin, is on the roll. The Cesar-winning producer, who runs the Paris-based banner Les Films du Worso, is currently developing a raft of new projects from renown European auteurs
Casandra “Cassie” Ventura continued her testimony against Sean “Diddy” Combs on Wednesday, detailing additional incidents of alleged abuse. As the “Me & U” singer testified about “violent” altercations with her longtime ex, photos of her injuries, including black eyes, bruises and fat lips, were shown
Dave Rand, a retired visual effects artist, had just nodded off on May 4 when his phone dinged. At first he couldn’t believe it. He read that President Trump wanted a 100% tariff on movies produced overseas. “I thought I was dreaming,” he says. And
Yamal Said, drummer of the Austin, Texas-based rock band Lord Buffalo, was forcibly removed from a plane and detained by the U.S. Customs and Border Patrol on Monday while en route to the band’s European tour; he has had no contact with his bandmates for
Live Nation is turning the music up this summer. The entertainment ticketing company just dropped a “$30 Ticket to Summer” deal, unlocking access to more than a thousand concerts across the U.S. and Canada. Participating concerts span multiple genres, from hip-hop and country to metal
Gaetan Bruel, the new president of the CNC, France’s National Film Board, has landed the job at a crucial time for the industry. While one of his goals is to boast the profile of France internationally and ramp up the volume of international shoots in
An ominous droning rush swarms the soundtrack at several points in “Sound of Falling,” like the growing momentum of weight meeting gravity, and it’s presumably this recurring aural motif that gives Mascha Schilinski’s exquisite sophomore feature its otherwise vague English-language title. It bears no relation