The Match Factory has revealed multiple distribution deals for two Berlinale competition titles: German director Matthias Glasner’s “Dying,” which won the festival’s Silver Bear for best screenplay, and Russian director Victor Kossakovsky’s documentary “Architecton.” “Dying,” which stars Lars Eidinger, Lilith Stangenberg and Corinna Harfouch, also
When the film biz jetset lands at O.R Tambo airport for this week’s 6th Joburg Film Festival they’d be amazed by a little-known story of how the airport’s namesake was the mastermind behind a plan to recruit ordinary British working-class volunteers to travel to South
“La Cocina,” the Rooney Mara-starring drama that recently bowed in competition at the Berlinale, has been acquired for most international territories. HanWay Films has closed sales for France (Originals Factory), Australia and New Zealand (Vendetta), Spain (Avalon), Italy (Teodora Film), Benelux (Cherry Pickers), Switzerland (Filmcoopi),
Hybe, the Korean entertainment group behind BTS, saw revenues and profits both grow by more than a fifth in 2023 as album sales doubled and post-COVID conditions allowed more concerts. The company Monday reported annual revenues of KRW2.17 trillion ($1.63 billion), up 23% compared with
Whoopi Goldberg, famed EGOT and business mogul, is adding another entry to her résumé: streaming entrepreneur. Goldberg is an equity investor in Blkfam, billed as the first and only Black-owned and Black-focused family streaming platform. The free, ad-supported service launches Feb. 26 across multiple platforms.
Horror film “The Voices of Our Mother,” headlined by Sheila McCarthy (“Women Talking”), has wrapped principal photography. The film is written and directed by Mark O’Brien, who is also an actor, with his most recent credit being Atom Egoyan’s Toronto and Berlinale selection “Seven Veils.”
Following on the heels of a successful post-pandemic reboot one year ago, the Joburg Film Festival kicks off its sixth edition on Feb. 27, with the glitzy capital of South Africa’s media and entertainment industry showcasing a selection of top talents from the host country
The nights were dark and stormy for many of the days on the five-week call sheet of “Death of a Whistleblower” but although South African director Ian Gabriel personally detests night shoots, he pushed through since his latest conspiracy thriller about cover-ups and a journalist’s