Disney’s “The Marvels” debuted atop the U.K. and Ireland box office with £3.4 million ($4.2 million), according to numbers released by Comscore. However, in keeping with its global bow, the opening was soft as the latest installment in the MCU scored just above its stablemates
John Patrick Shanley’s 1983 play “Danny and the Deep Blue Sea” is disturbing. Directed by Jeff Ward, the play opens in a bar. Not a glossy glass-encased saloon that has become a staple in 21st-century Manhattan; this Bronx dive is hazily lit and slathered in
YouTube wants to let creators tap into the power of artificial intelligence. But it’s also putting in place new policies requiring creators to indicate when they’ve uploaded AI-generated content — and the video giant also will adopt new ways to request that content that “simulates
In “Àma Gloria,” directed by Marie Amachoukeli, childhood is the domain of formative gains and losses. After opening this year’s Cannes Critics’ Week, the film screened as part of the Meet the Neighbors+ competition at the Thessaloniki Film Festival. Amachoukeli previously co-directed “Party Girl,” which
Since Outkast released their last album in 2006, the Grammy-winning group’s Andre 3000 has released a small smattering of songs and memorably guested on tracks by artists ranging from Beyonce to Drake to Frank Ocean, but has kept fans waiting for his debut solo album.
TikTok has long touted the app as a place to discover new music — and its ability to propel songs into viral hits. Now TikTok is hoping to derive incremental revenue from music fans who use the app. The company’s new Add to Music App
“La Vie en robots”? More than 60 years after her death, legendary French singer Edith Piaf will come to life in a new biopic that will use AI to recreate her voice and image. Warner Music Group announced that it has partnered with Piaf’s estate
Backed by the Cannes Film Market and Argentina’s INCAA film agency, the 15th Ventana Sur and its much anticipated works in progress sections, Primer Corte and Copia Final, unspool over Nov. 27-Dec. 1 in Buenos Aires. This year’s crop of films, either in post-production or