According to the European Audiovisual Observatory, Switzerland is ranked third in Europe for its yearly output of documentaries, with more than 70 titles in 2023. On May 19, it will unveil four of its most promising features at the Swiss Cannes Docs Showcase. The event
Paolo Sorrentino is back in Cannes for the seventh time with “Parthenope,” a love letter to his native Naples but also, as he puts it, a film about his “missed youth” that comes as a natural follow-up to his autobiographical “The Hand of God.” Perhaps
Brazilian directors Eryk Rocha and Gabriela Carneiro da Cunha’s “The Falling Sky” delves into lives of the Amazonian Yanomami people, who live in the heart of the Amazon rainforest where they are contending with a harsh humanitarian crisis caused by the massive invasion of wildcat miners
British actor Janet Montgomery has landed a starring role as a young Faye Dunaway in Jonathan Baker’s supernatural love story “Fate,” a film that is shooting in Vancouver for Baker Entertainment. The film will toggle between a yesteryear version of the character (Montgomery) and a
Raven Banner Entertainment has launched sales at the Cannes Film Festival’s market on the reboot of Roger Corman’s cult sword and sorcery film series, “Deathstalker,” which is currently shooting in Canada. Daniel Bernhardt (“John Wick,” “The Matrix Reloaded”) stars as the titular character in this
“Baby Reindeer,” the Netflix series that has taken the world by storm since dropping last month, boldly opens with the claim that “This is a true story.” (Unlike another Netflix series, “Inventing Anna,” which opens with the title card: “This whole story is completely true.
MK2 Films has acquired worldwide rights, including France, to French filmmaker Claude Lanzmann’s films, including his landmark documentary about the Holocaust, “Shoah,” which is inscribed in UNESCO’s Memory of the World register. The deal was signed with Les Films Aleph. “Shoah,” considered one of the
The film has been designed as a bad-trip psychodrama that’s also a high-camp Nicolas Cage freak-out. I only wish that “The Surfer,” as directed by Lorcan Finnegan and written by Thomas Martin, had the filmmaking chops to match its what-is-reality? jokiness. The film is trying