Nine years after “All These Sleepless Nights” premiered at the Sundance Film Festival to great acclaim and picked up the directing prize in the World Cinema – Documentary category, Polish director Michał Marczak is gearing up to make “Closure.” The project, selected as part of
BookMyShow India’s Red Lorry Film Festival has landed a prestigious opening night selection with “September 5,” the Oscar-nominated drama that recreates ABC’s live coverage of the 1972 Munich Olympics terrorist attack. The announcement comes as the festival, now in its second year, expands to include
“I should have been dead at the end of that!” Those were comedian Marc Maron’s first words following the premiere of the feature documentary about him, “Are We Good?,” at the SXSW Film & TV Festival on Tuesday. The film, directed by Steven Feinartz, covers
It isn’t hyperbole to say that Amanda Peet gives the performance of a lifetime in “Fantasy Life.” There probably shouldn’t be any confusion between the actress and the role she inhabits as Dianne, a one-time screen star now in her early fifties who stopped booking
Zak Hilditch’s Australian disaster feature “We Bury the Dead” wrestles with how much it wants to be a zombie movie. It’s at its most interesting and exciting when it approaches the well-worn subgenre with brand-new spins, resulting in haunting scenes that open a cinematic window
During my interview a while back with a director of small-budget Westerns, he explained to me that if you keep your costs down low enough and, better still, cast a recognizable character actor or country music star — not a superstar, but someone recognizable —
Gene Winfield, a custom car designer for films such as “Blade Runner” and “Robocop,” died on March 4. He was 97. The news was confirmed via his obituary on Legacy.com. Winfield became known as the “King of Kustoms” after working on some of Hollywood’s most
Tennese Williams’ Pulitzer Prize winner “A Streetcar Named Desire” is still one of Broadway’s most critically acclaimed plays. Written in 1947 and adapted to the big screen in 1951 in the Academy Award-winning film starring Vivien Leigh, Marlon Brando and Kim Hunter, the themes of