Television series don’t come much buzzier than “The White Lotus,” and audiences are flocking to watch another round of (mostly) new jet-setting characters while awaiting the Max show’s trademark of a murder before the season’s end. Actors like Parker Posey, Walton Goggins and returning star
Holland, Mi., is one of those high-concept American towns where nothing feels real. Modeled after someone’s fantasy of an 18th-century Dutch village, it has windmills and tulip fields and ersatz canal houses. To Nancy Vandergroot (Nicole Kidman), it seems quaint, but to our eyes, it’s
SPOILER ALERT: This story contains spoilers for the Season 4 premiere of “The Righteous Gemstones,” now streaming on Max. For the final season premiere of “The Righteous Gemstones,” the HBO comedy that chronicles a fictional family of megachurch pastors in South Carolina, creator and star Danny
Longtime Apple content chief Eddy Cue told a SXSW crowd on Sunday that Apple TV+ doesn’t make as many TV shows and movies as its competitors for the same reason that the tech giant doesn’t make as many hardware products as some competitors. Cue, Apple’s
When Ingrid Andress sang “The Star-Spangled Banner” before a pro hockey game in Denver earlier this month, it certainly counted as one of the most fraught renditions of the national anthem in our collective pop-culture history. Andress, one of the most acclaimed young singer-songwriters in
March began with Oscar pre-parties followed by the big show at the Dolby Theatre in Hollywood. Winners, including Mikey Madison, Adrien Brody and Zoe Saldaña, celebrated at the Vanity Fair party while Chappell Roan performed at the Elton John AIDS Foundation gala. Days later, Docheii,
Florence Pugh thinks the upcoming Marvel film “Thunderbolts*” feels less like a major Hollywood tentpole and more like an arthouse indie. “It ended up becoming this quite badass indie, A24-feeling assassin movie with Marvel superheroes,” Pugh, who plays Yelena Belova in the film, told Empire.
If only Warner Bros. could reprint money in the way that scientists reprint Robert Pattinson’s body in “Mickey 17.” The goofy sci-fi comedy ignited to $24 million overseas and more than $50 million globally, a decent start for an original film in the current theatrical