Square Enix and Final Fantasy XVI developer Creative Business Unit III have been open about the game spanning decades of protagonist Clive Rosfield’s life for years. It’s an interesting aspect of this story because it speaks to how broad its horizons might be. What starts
Remakes tend to be more exciting than remasters because the improvements often go beyond mere bumps in resolution or framerate. At best, studios reimagine classic experiences in exciting new ways, sand away rough edges, and somehow retain the intangible x-factors that made fans fall in
Final Fantasy XVI’s combat is fast, chaotic, and, most importantly, fun. There are plenty of combos to pull off, and in just the small taste of the action during my cover story trip to Square Enix’s Tokyo, Japan, office, I saw so much variance in
Diablo IV opens its hellish gates to players next week on June 6, but the first review embargo lifts today. I’ve spent dozens of hours roaming Sanctuary over the last two weeks, having completed the campaign, hit level 50, unlocked the Paragon Board, graduated to
Final Fantasy XVI is the most action-forward game in the mainline series’ history, and while it’s been a point of contention between players excited for this and fans of the franchise who yearn for something turn-based, it’s hard to deny the combat looks flashy and
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Final Fantasy XVI’s Valisthea is sprawling, comprising a mix of five main nations, various more-linear dungeons, and some open field areas. The primary focus of FFXVI will be playing through Clive’s story and all it entails, but there’s more to the game than just the