Never before has Hollywood been hit with so many challenges all at once: the perceived threat of AI replacing human creatives, production leaving California for less costly venues, devastating fires that have wiped out thousands of homes and places of business, and a new administration
Harrison Ford is not too upset over “Indiana Jones and the Dial of Destiny” flopping at the box office. His fifth and final turn as the iconic archeologist opened in theaters in summer 2023 and lost Disney a reported $130 million after its global box
DeWanda Wise will star in “Killer Bee,” an adaptation of the upcoming graphic novel from David Crownson that Tommy Oliver’s Confluential Films will produce for the screen. Confluential, an award-winning, Black-owned and Black-founded film, television, and documentary production company, will co-finance the action film. Wise,
Investigative reporter Andrew Glazer’s documentary “Spring of the Vanishing” has unveiled its first trailer. The film will make its world premiere at the Santa Barbara Film Festival on Feb. 10, with both Glazer and producer J. Weston Phippen in attendance. “Spring of the Vanishing” follows
The 22nd edition of the True/False Film Fest, kicking off Feb. 27, will feature a lineup of 30 feature documentaries and 24 short docs. The Columbia, Missouri-based four-day doc film festival will showcase eight Sundance 2025 films, including U.S. documentary prize winner “Seeds,” “Predators,” and
Elton John and Brandi Carlile didn’t just record the currently Oscar-nominated song “Never Too Late” together but, as rumored, an entire album together. That 10-song set, “Who Believes in Angels?,” will be released April 4 on the Interscope label. It’s preceded by a first taste
Taika WaititiNorman Lear Achievement AwardSizing up Taika Waititi’s impressive body of work that includes “What We Do in the Shadows,” “Our Flag Means Death” and “Reservation Dogs,” PGA co-president Donald De Line put it simply, “He’s a genius.” Honoring the Oscar and Grammy-winning, Emmy-nominated producer with the Norman
China’s film market enjoyed a record-breaking Lunar New Year, amassing a staggering RMB9.51 billion ($1.31 billion) in total box office revenue over the seven-day holiday period ending Feb. 4, according to a new report from Maoyan Research Institute. With 187 million tickets sold, the lucrative