During Sony’s PlayStation State of Play, new gameplay and details were shared for Marvel Rivals. For the uninitiated. Marvel Rivals is a superhero (specifically Marvel superhero) team-based PVP shooter inspired by games like Overwatch. The footage, seen below, reveals Venom and Adam Warlock are coming
Distributor La Vingt-Cinquième Heure has acquired the French rights to Egyptian-American director Dina Amer’s politically sensitive drama “You Resemble Me.” The film tells the story of Hasna Aït Boulahcen, who in 2015 was wrongly believed to be Europe’s first female suicide bomber. The film is a
It looks like Nicki Minaj won’t be returning to Amsterdam for the city’s second date on her Pink Friday 2 World Tour. On Friday, Dutch promoter Mojo announced on its website that Minaj’s June 2 show at Amsterdam’s Ziggo Dome had been canceled. “Due to
Matt Routledge’s conspiracy thriller “The Awakening” has kicked off principal photography at Pinewood Studios in London this week. Produced by Camelot Media and Awakening Productions, the film stars Justin Tinto, who also wrote the script, as Jason Byrd. The plot centers on a global conspiracy.
From the second scene of Mortensen’s second feature, “The Dead Don’t Hurt” (following 2020’s excellent father-son drama “Following”), audiences know the fate of Vivienne LeCoudy (Vicky Krieps). A resilient French Canadian pioneer woman left alone for years, Vivienne dies at home in bed, a single
Shooting has begun on the fourth season of Beta’s hit series “Sisi,” which follows the life of Empress Elisabeth of Austria. Variety has been given the first exclusive pictures from the set of the new season, which will comprise 24 one-hour episodes. Dominique Devenport and
Filmmaker and actor Anurag Kashyap (“Leo”) and Gulshan Devaiah (“Duranga”) will headline Disney+ Hotstar Indian series “Bad Cop.” The series marks the fiction series debut for Fremantle India, hitherto known for reality shows “India’s Got Talent” and “Indian Idol.” The series, adapted from RTL’s German
You could say that the U.S., at the Biennale, engaged in art-world propaganda. But another way to look at it is: Has there ever been a more righteous U.S. propaganda campaign? We were backing the right horse, and for the right reason. It was the