Italy’s Kino Produzioni, the indie shingle that co-produced 2022 Berlin Golden Bear winner “Alcarràs,” is ramping up production with new films by emerging Italian filmmakers Carlo Sironi, Laura Luchetti and Irene Dionisio, as well as also Dutch director Michiel Van Erp and Argentine filmmakers María Alché
India’s Platoon One Films, co-producers of Berlin Film Festival Panorama strand title “Ghaath” (“Ambush”), has seven films in the works. Four films are in advanced development. Police procedural “Bayan” by Bikas Mishra (“Chauranga”) was developed at Film Independent’s Global Media Makers program in Los Angeles
U.K.-based MetFilm Sales has acquired worldwide sales rights, excluding the U.S., Germany and France, to Thomas von Steinaecker’s feature documentary “Werner Herzog: Radical Dreamer” and is representing the project at Berlin’s European Film Market. With exclusive behind-the-scenes access into the legendary German film director’s everyday
Sundance standout film “Animalia,” by French-Moroccan filmmaker Sofia Alaoui, has been acquired for distribution across the Middle East and North Africa by Egypt’s Film Clinic, the shingle headed by producer Mohammed Hefzy. Film Clinic, a top film and TV production company that branched out into
A first trailer has been unveiled for Leandro Koch and Paloma Schachmann’s documentary “The Klezmer Project,” which will have its world premiere at the Berlin Film Festival’s Encounters strand. The documentary follows Argentinian cameraman Leandro who makes a living from filming Jewish weddings. At one
“A Cielo Abierto,” the latest film from Oscar-nominated Mexican screenwriter Guillermo Arriaga (“Babel”), is being brought onto Berlin’s European Film Market by Film Factory Entertainment. Produced by Argentina’s K&S Films, whose credits include “Wild Tales,” “The Clan” and “The Summit” — the last by “Argentina,
It is not unprecedented to have a Sundance-premiering film play in the Berlinale competition. Yet director Celine Song’s journey with “Past Lives,” which received raves in Park City and makes its international bow in Berlin, feels like a fresh phenomenon. She’s a first-time filmmaker. Her
There’s no shortage of movies that gauzily peddle the notion of art as a balm. Few, however, are as invested in the charged immediacy of art’s relationship to real-life pain as “Kiss the Future,” a documentary enjoying its world premiere Feb. 19 in the Berlinale