Like many U.S. journalists trying to get to Israel to cover reaction to attacks in the country by terrorists, Chris Cuomo faced a difficult journey. But that’s his problem, he says, not one for his viewers. “It doesn’t matter to the audience” where he had
Alex Cooper’s mega-popular podcast “Call Her Daddy” is already exclusive to Spotify. Now the host and entrepreneur has entered into a new business deal with Spotify covering ad sales and distribution for podcasts under her Unwell Network banner. Under the pact, Spotify will serve as
Although it’s been nearly 20 years since the series finale of “Frasier” in 2004, the witty and verbose psychiatrist Frasier Crane is back with a new comedy series that’s simply titled “Frasier” in 2023. Its first two episodes drop on Paramount+ on Oct. 12, and
Lionsgate has landed U.S. rights to “The Home,” a thriller starring Pete Davison. The movie, directed by James DeMonaco (“The Purge”), was backed by Miramax and screened for buyers outside of competition at this year’s Toronto Film Festival. It’s expected to land in theaters sometime
UPDATE: The BBC has received backlash in the U.K. for not referring to Hamas as “terrorists” in its coverage of the attacks on Israel, with BBC Derby sports reporter Noah Abrahams resigning over the matter. “The BBC’s refusal to use the correct terminology is unjustified,”
The CW has ordered two scripted series set to premiere in the fall of 2024: crime-solving dramas “Wild Cards” and “Sight Unseen.” Both are produced in partnership with Canadian studios. “Wild Cards” is a procedural starring two alumni of the CW: Vanessa Morgan (“Riverdale”) and
Paramount Global is the first major Hollywood studio to release a statement regarding the Israel-Hamas War, as the company posted to Instagram Thursday: “Paramount Global condemns the terrorist attacks by Hamas. We stand with the people of Israel and the global Jewish community.” Paramount’s statement
Questions (and concerns) about AI will come to the foreground at this year’s Mipcom international co-production and content market, which runs Oct. 16–19 in Cannes. Alongside the thousands of buyers and preeminent audiovisual execs expected to hit the mart, immersive producers, media regulators and legal