On the day of the release of “1989 (Taylor’s Version),” Taylor Swift set a Spotify record in becoming the artist with the most streams in a single day in the streaming service’s history, according to a statement from Spotify on Saturday on X. The company
From hulks of collective ruins to immigrant family struggles, marginalized communities and climate crises, the 27th Ji.hlava International Documentary Film Festival wrapped Saturday with honors for work from diverse perspectives on a myriad of pressing subjects. The Opus Bonum main prize went to Elvis Lenic’s
A new Canadian Broadcast Corporation investigation has raised questions about the Indigenous identity of Buffy Sainte-Marie. The singer-songwriter, considered to be the first Indigenous Oscar winner for co-writing the song “Up Where We Belong” from 1982’s “An Officer and a Gentleman,” has long claimed she
Jessiva Chastain and Peter Sarsgaard have both officially entered the Oscar race for their extraordinary performances in Michel Franco’s “Memory.” However, the awards campaign has announced that Sarsgaard’s riveting turn as a man suffering from Alzheimer’s disease will be submitted for supporting actor consideration at
In Hollywood, the only thing more fun than setting the status quo is disrupting it. Studios have traditionally released so-called prestige films in the fall and winter so that they would be fresh on the minds of Academy and guild members during voting season. But
Before starring as Elvis Presley in Sofia Coppola’s “Priscilla,” Jacob Elordi was only familiar with the King of Rock and Roll from Disney’s “Lilo & Stitch.” During a recent appearance on “The Tonight Show With Jimmy Fallon,” Elordi sat down to discuss his role in
“That’s like a billion dollars in Indiana.” That quip from Bobby Axelrod is one of the memorable lines in the series finale of “Billions,” the Showtime drama series that wrapped its seven-season run Oct. 27 with the crowd-pleasing episode “Admirals Fund.” Axelrod, played by Damian
Sometimes a cigar is just a cigar. And sometimes it’s a loaded symbol in an imagined conversation between world-famous “sex doc” Sigmund Freud (played by Anthony Hopkins, in irritable curmudgeon mode) and converted atheist C.S. Lewis (Matthew Goode, looking slightly worse for wear). In the