Ultra-prolific writer-director, fiercely independent producer, pioneering entrepreneur, self-made studio chief. Any and all of these labels apply to Tyler Perry, though the one he chooses for himself is “Maxine’s Baby” — the same moniker that documentary duo Gelila Bekele and Armani Ortiz opted to give
Sergei Loznitsa met with “immediate confrontation” following the premiere of “Babi Yar. Context,” he revealed at Ji.hlava Documentary Film Festival. The film focused on the massacre of nearly 34,000 Jews at Babi Yar in Kyiv, Ukraine in 1941. “I found myself in the center of
Veteran French editor Dominique Auvray says there’s an essential intuitive element to her work. The woman who created the sound for “Paris, Texas” and cut such films as “No Fear, No Die,” “L’Amour Fou,” and “Hu-Man” says her career has been built around one key
The story of a Lakota Native American man torn between his ancestral home and a career in the big city inspired two U.S. filmmakers to invest 13 years into “Without Arrows.” Their doc, which is slated to premiere onscreen in December or early next year,
The setting of “The Origin of Evil” reeks of devious camp (not just the décor, but the knives-out dramaturgy), but Marnier’s script is accomplished enough to root the backstabbing betrayals and shifting loyalties in the play of personality. Nothing feels too planned out or farfetched.
Bangladeshi auteur Mostofa Sarwar Farooki has wrapped his latest film “Last Defenders of Monogamy.” The cast is headlined by popular Bangladeshi actor Chanchal Chowdhury (“Karagar,” “Hawa”) and Xefer Rahman and the cast also includes Samina Hussain Prema and Shuddho Rai. The film follows Shafqat (Chowdhury), a
One of the best boxers in the world takes on one of the best fighters in MMA history Saturday as Tyson Fury faces off against Francis Ngannou in a one-time-only event in Saudi Arabia. Fury vs. Ngannou takes place Saturday, Oct. 28 live at 2 p.m.
SPOILER ALERT: This story involves discussion of major plot developments in Season 2, Episode 4 of “Loki,” currently streaming on Disney+. When Eric Martin started writing the Season 1 finale of “Loki” (along with then-head writer Michael Waldron), he already had a sense that the