Belgium’s Stenola Productions, behind Joachim Lafosse’s 2022 Cannes Competition player “The Restless” and this year’s San Sebastian’s Golden Shell contender “A Silence,” has boarded “Elena,” written by Cannes Camera d’Or winner César Díaz (“Our Mothers”) and a potential highlight at this month’s Ventana Sur Proyecta
Tessa Ía, who broke out heading “After Lucía,” Michel Franco’s Cannes winning first feature, is set to star in “Hyperballad,” which offers what is proving one of the most potent mixtures in cutting-edge Latin American film: Genre, ambition, and a first-feature young woman director. Directed
Veteran TV exec, producer and entrepreneur Cris Abrego can add another line to his growing list of titles: Chairman of the Television Academy. Abrego was elected to the post on Thursday night by the org’s Board of Governors, as the TV Academy also firmed up
Over the last couple years, Please Don’t Destroy has gone from little-known comedy troupe to “Saturday Night Live” mainstays. Their pre-recorded sketches, most of which involve that week’s celebrity host, are routinely a highlight of the show — bits like “Three Sad Virgins,” “Molly Shannon
“A Disturbance in the Force,” a comical behind-the-scenes documentary about the ill-fated 1978 “Star Wars Holiday Special,” will arrive from a galaxy far, far away in December. After its premiere at this year’s SXSW Film Festival, “A Disturbance in the Force” will be released on
Over the last couple years, Please Don’t Destroy has gone from little-known comedy troupe to “Saturday Night Live” mainstays. Their pre-recorded sketches, most of which involve that week’s celebrity host, are routinely a highlight of the show — bits like “Three Sad Virgins,” “Molly Shannon
The event was supported by Wio Bank as the Platinum Sponsor, Smart Salem as the Gold Partner, and RAK Bank as the Category Partner.
Mohammed Al Beloushi is the Deputy CEO of URBI, a revolutionary geo-platform that empowers businesses with cutting-edge spatial analytics technology.