Christopher Nolan is defending the role of franchises in Hollywood, saying they are a crucial part of the film industry ecosystem. In a recent interview with the Associated Press, the “Oppenheimer” and “Dark Night” director weighed in on the debate over how superhero franchises are
Jorge Ramos, the Univision star anchor who has become as defined by his clashes with the Trump administration as he has by his coverage of major world events, has become the latest of the Spanish-language network’s top anchors to take issue with an interview broadcast
Love hurts, and so, if you’re a Gram Parsons fan, does the idea that the world has had to do without him for 50 years, as of September of this year. Imagining how his style might have changed over the subsequent half-century is never-ending, as
Disney may need to find another star to wish upon. “Wish,” the studio’s newest animated adventure, was projected to land on top of box office charts over the Thanksgiving holiday. Instead, ticket sales fell short of expectations with a weak $19.5 million over the traditional
The impression of flawlessness is a tough standard to maintain. It’s what audiences have come to expect of Beyoncé since she debuted as one-fourth of Destiny’s Child in 1997, not merely because of her era-defining music and performances but because she executes it with such
With Brazil under focus at Ventana Sur’s this year, highlighting the work of Spcine, Cinema do Brazil and Projeto Paradiso, São Paulo film-TV commission Spcine has organized a series of panels and other events to signal Brazil’s return to normal after the devastating tenure of
Ridley Scott’s historical epic “Napoleon” may not have conquered the top spot in North America, but it emerged victorious at the worldwide box office. The film, starring Joaquin Phoenix as the infamous French ruler, debuted to $78.8 million, including $46.3 million internationally — enough to
The impression of flawlessness is a tough standard to maintain. It’s what audiences have come to expect of Beyoncé since she debuted as one-fourth of Destiny’s Child in 1997, not merely because of her era-defining music and performances but because she executes it with such