Less than three months after being tapped CEO of Banijay France, Alexia Laroche-Joubert, a well-known industry figure, has enlisted Authentic Media, a leading French premium scripted banner that will join the “Peaky Blinders” production-distribution powerhouse. The acquisition of Authentic Media, who produced hit French adaptations
“Wellington Paranormal,” the series spinoff from 2014 breakout hit film “What We Do In the Shadows,” is launching an audio companion piece. It is produced by Frank Podcasts, a new New Zealand-based podcast network, headed by Mike Minogue and Tim Batt. The podcast will feature
Mirror, the Hong Kong boy band that shot to fame in 2018 but had its live career cut short by a tragic on-stage incident, will return to in-person live performances in January. The 12-piece band will play 16 shows at the Asia World Expo auditorium,
Zee Studios’ “Gandhi Talks,” directed by Kishor P. Belekar, had a sold out premiere at the 54th International Film Festival of India (IFFI), Goa. The cast includes Aravind Swami, Vijay Sethupathi, Aditi Rao Hydari and Siddharth Jadhav. The latter three actors were present at the
Pan Nalin, producer and director of Indian Oscar-shortlisted film “Last Film Show,” has boarded Subhadra Mahajan’s debut feature “Second Chance” as an executive producer. Mahajan previously served as assistant director on Nalin’s “Echo of Eco,” “Angry Indian Goddesses,” “Beyond the Known World” and “Last Film
After Elon Musk last month decided to banish article headlines from posts on X, formerly known as Twitter, he’s bringing them back — but in a different format. In early October, Musk said the removal of headlines under posts of links on X would “greatly
Actor-writer Vishnu Manchu has grand plans for big-budget Indian epic “Kannappa.” The film revisits the folk tale of Kannappa, an atheist hunter who became a devotee of Hindu god Shiva and plucked out his eyes in an act of extreme devotion. The story was previously
Arriving a whopping 26 years after 1997’s cult-favorite Nickelodeon comedy, “Good Burger 2” fits the streaming-era trend in which audiences seek a nostalgia bump reconnecting with old favorites, like “Coming to America” or “Hocus Pocus” — not exactly classics so much as modest pleasures from