Comic-book movie culture didn’t just stumble this year. It face-planted, giving us one movie after another that fans didn’t much care about and that the corporations backing these films took a disquieting loss on. And that’s not how it was supposed to go. According to
Maurice Hines, an actor, dancer and choreographer who starred with his brother Gregory Hines in Francis Ford Coppola’s “The Cotton Club,” died Friday. He was 80. Friends including Debbie Allen and John Manzari reported the news of his death. Hines began studying tap dancing at
Tom Wilkinson, the British actor who appeared in films including “The Full Monty,” “Shakespeare in Love” and “The Best Exotic Marigold Hotel,” died Saturday in the U.K., the BBC reported. He was 75. “It is with great sadness that the family of Tom Wilkinson announce
Warner Bros. is continuing to beat out Warner Bros. and Warner Bros. over the New Year’s holiday weekend, with “Wonka” now rising above “The Color Purple” and “Aquaman and the Lost Kingdom.” With that trifecta, the studio has laid claim to the three of the
What a relief it is to close the door on 2023, an annus horribilis for the entertainment industry (and the world). After the dual strikes effectively shut down most production from May through November, the doors have reopened again onto a landscape that’s been forever
Paramount Global has clinched a deal that is crucial to its future — but it’s not the transaction that Wall Street has been buzzing about for a few weeks. Paramount Global and Comcast have set a new carriage agreement covering Paramount’s cable channels and CBS-owned
Paula Abdul alleged in a lawsuit on Friday that she was twice sexually assaulted by Nigel Lythgoe, the executive producer of “American Idol” and “So You Think You Can Dance.” Abdul rose to stardom in the late 80s and built a second career as a
“Batman Returns” screenwriter Daniel Waters participated in a recent discussion about the Tim Burton-directed sequel (via IndieWire) and revealed the collaborators’ clashing visions for a spinoff project centered on Michelle Pfeiffer’s Catwoman. Waters was envisioning a satirical take on the comic book movie genre, something